An Anarchist View from Havana: Isbel Diaz Torres
This week on the Final Straw, we’re sharing another audio gift from comrades. Isbel Diaz Torres is a participant in the Taller Libertario Alfredo López / ABRA in Havana, Cuba, recorded in late 2018. In this chat, Isbel talks about the ABRA which is the only openly anarchist organization in Cuba at the time, about the LGBTQ movement and abortion rights which are both facing repression due to pressure from Cuban Evangelical and Catholic churches on the Cuban government, political discourse and difference, government co-optation, neoliberalism, animal rights, repression of dissent and the erasure of anarchist history.
In May of 2019, Isbel and his boyfriend Jimmy Roque Martinez were arrested on their way to the annual Conga Against Homophobia and Transphobia, essentially Cuba’s main Pride Parade and detained 24 hours in order to block their participation. As Isbel talks about in the interview, the state-run National Center for Sex Education (CENESEX) had bowed to pressure from right wing Christian groups and canceled the event so activists were planning to hold an autonomous Conga resulting in several more arrests. A report with updates on the subject can be found at the Rosa Negra / Black Rose Federation website. You can also find an audio statement from Mario from the TLAL space on the subject in Spanish via BRRN.
To learn more about ABRA, they have a website at CentroSocialABRA.Wordpress.Com as well as a fedbook page as AbraCuba and one for Taller Libertario Alfredo Lopez. ABRA is affiliated with the Federacion Anarquista de Centro America y el Caribe, or the Caribbean and Central American Anarchist Federation, which can be found in Spanish at f-anarquista-cc.blogspot.com.
Check our show notes for some useful articles and a link to Frank Fernandez’s book, “Cuban Anarchism”, which you can order online or read for free online at The Anarchist Library. Another book suggestion is “Anarchist Cuba: Countercultural Politics in the Early Twentieth Century” by Kirwin Shaffer.
Sean Swain
Sean’s segment runs [00:35:56 – 00:42:36].
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