This week, we spoke with author Max Cafard and illustrator Vulpes about their new book, Anarchy in The Big Easy: A History of Revolt, Rebellion, and Resurgence. Among other topics, they discuss Cafard’s Surregionalism Manifesto, the origins and production of the book, and what the media gets right and wrong about New Orleans. The book came out from PM Press on April 15, 2025.
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This week, we’re sharing two segments.
First up, you’ll hear comrades from Frequenz-A out of Germany speaking with Eylem Çağdaş, an activist and a trans woman from Istanbul about current protest, queer and feminist perspective, anarchist participation and needs of solidarity. This segment was featured in the April 2025 episode of Bad News: Angry Voices from Around The World, the monthly English-language podcast from the A-Radio Network, which will be available early this week, so keep an eye out in our social media and updated links in our show post. You can find more work by Frequenz-A at frequenza.noblogs.org and more from the A-Radio Network and its contributors at a-radio-network.org. Eylem mentions Bianet and Birgun as good places to get introduced to ongoing news from leftists in Turkey.
Then, a chat with no Bonzo, anarchist historian, printmaker and artist, about how they developed their art, the historical work they do and some upcoming projects. You can find more of their work at https://noBonzo.com and you can find more of no Bonzo from the ACAB 2024 presentation we shared of Art As A Vehicle for Anarchist Ideas, the December 15 2024 TFSR episode.
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Continue reading A Left Trans Voice from Turkey + no Bonzo on Art and Anarchism
This week, we’re sharing an interview Ian conducted with cartoonists Isabella Rotman, Sage Coffey, and Marnie Galloway on the subject of the Abortion Pill Zine: A Community Guide to Misoprostol and Mifepristone out now from Silver Sprocket (and freely readable on their website). They discuss the process by which this resource was assembled, the benefits of local, focused abortion organizing, the timeliness and timelessness of the fight for safe abortion care, and the power of comics to disseminate valuable and complex information.
The A-Radio Network of anarchist and antiauthoritarian radios and podcasts just released the latest in their monthly series, B(A)D News: Angry Voices From Around The World for February 2025, episode 88. This one features Parias from Athens sharing an interview about resisting wind farms and green developmentalism in the Greek mountains as well as Črna luknja from Ljubljana speaking with antifascists from Budapest and Sofia about resisting Europes largest annual neo-nazi rally, the LukovMarch.
You can read a short publication by the Sudan Anarchist Gathering called Al-Amal in English thanks to the translation work of CNT-AIT France (or the original Arabic as well) at this blog. From the blog:
If you want to receive the next
issues, please contact us : contact@cnt-ait.info
If you want to support financially the Sudan Anarchist Gathering, you can use our paypal
https://www.paypal.com/paypalme/cntait1
(please validate “Sending ‘money to an individual’ to pay less bank charges) Send an email to contact@cnt-ait.info to inform us of the donation and also so that we can keep you informed of its use.
This week on the show, we’re sharing two interviews.
First up, Dulce, a member of Companeros Inmigrantes en las Montanas en Accion, or CIMA, a local organizing and advocacy group by and for immigrants in western NC about her experience working for dignity and solidarity in light of the current and past administrations. More on CIMA can be found at CIMAWNC.Org
Then, Ian speaks with Kristian Williams, author of Gang Politics, Resist Everything Except Temptation, and Our Enemies in Blue, among others, about his recent book, The Illuminist: Philosophical Explanations in the work of Alan Moore. The chat touches upon Moore’s work and its anarchist underpinnings, his legacy in and out of comics, the necessity of imagination, and the possibilities that arise from death and disaster. The book is available from emergencyhearts.com, emergencyhearts.bandcamp.com, and kristianwilliams.com. You can find past interviews we’ve done with Kristian here.
This week, we’re sharing another presentation from the 2024 ACABookfair in so-called Asheville. On youtube you’ll find the audio sync’d up with the slideshow presentation from the bookfair by visiting youtube.com/@thefinalstrawradio.
The following is a recording from the 2024 Another Carolina Anarchist Bookfair in so-called Asheville, NC. You can find more info and recordings from this and other years at ACABookfair.NoBlogs.Org. This is a presentation entitled Art as a Vehicle for Anarchist Ideas with N.O. Bonzo, Des Revol, and Sugarbombing World. From the description:
“Three longtime anarchist artists—N.O. Bonzo, Des Revol, and Sugarbombing World—will explore the role that art plays in resistance and movements, along with remembrance of the past and visions of the future. They’ll look at ways that art brings people together, and can serve as a great tool, whether in organizing and agitating, and/or inviting people into anarchism.”
Continue reading Art As A Vehicle For Anarchist Ideas (ACAB 2024)
This week, we’re sharing Ian’s talk with Samm Deighan, co-editor of Revolution in 35 MM: Political Violence and Resistance in Cinema from the Arthouse to Grindhouse, 1960-1990, out 9/24/24 from PM Press. Among other things, they discuss the origins of the book, the benefits and limitations of genre storytelling, the forces that shape movie funding, and where to watch some of the films discussed. You can check out Twitch of the Dead Nerve podcast here.
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This week we’re featuring three segments. First up, you’ll hear a conversation I had with Asphalt, a supporter of a recent federal grand jury resister in Charleston, South Carolina. [00:04:53 – 00:36:28]
After that Cyprus Hartford, the grand jury resister, speaks for herself and reads her statement of resistance. [00:36:28 – 00:40:39]
Finally, you can find an interview that Ian did with Marisa Holmes and Molly of the Metropolitan Anarchist Coordinating Committee about their recent anarchist film festival. [00:42:32 – 01:01:29]
Then you’ll hear Sean Swain’s review of the presidential debate [01:02:06 – 01:09:16]
By way of introduction to this first segment, I’d like to remind people that none of the people speaking about grand juries here are lawyers, but we are sharing information we’ve gotten from lawyers and legal experts to the best of our abilities. I’m going to read a bit from the website NCResistsTheGrandJury.Wordpress.Com:
What is a Grand Jury?
In the federal legal system, the grand jury is used to decide whether someone should be charged (“indicted”) for a serious crime. The grand jury hears evidence presented by the prosecutor: the U.S. Attorney. The grand jury uses subpoenas to gather this evidence. It can subpoena documents, physical evidence, and witnesses to testify. The “special” federal grand jury, created in 1970, can be used to investigate “possible” organized criminal activity rather than a specific crime. The California legal system also has grand juries, but it is optional whether criminal prosecutions are initiated by grand jury indictment, or by a complaint by the District Attorney and preliminary hearing before a judge.
How is a Grand Jury Different Than a Trial Jury?
Unlike the “petit” jury, which is used to determine guilt in a trial, a grand jury consists of 16 to 23 jurors who are not screened for bias. The purpose of the grand jury is not to determine guilt or innocence, but to decide whether there is probable cause to prosecute someone for a felony crime. The grand jury operates in secrecy and the normal rules of evidence do not apply. The prosecutor runs the proceedings and no judge is present. Defense lawyers are not allowed to be present in the grand jury room and cannot present evidence, but may be available outside the room to consult with witnesses. The prosecutor and the grand jury members may not reveal what occurred in the grand jury room and witnesses cannot obtain a transcript of their testimony.
How Has the Grand Jury Been Used by the State?
Because of their broad subpoena powers and secretive nature, grand juries have been used by the government to gather information on political movements and to disrupt those movements by causing fear and mistrust. The grand jury lends itself to being used for improper political investigation due in part to the prosecutor’s ability to question witnesses without regard for rules that prohibit irrelevant, unreliable or unlawfully obtained evidence. Those called before the grand jury may be compelled to answer any question, even those relating to lawful personal and political activities. That information has been used by the government as a basis to conduct further surveillance and disruption of political dissent. When used against political movements, the grand jury causes fear and mistrust because persons who refuse to answer questions about their First Amendment political activities, friends and associates may be jailed for the life of the grand jury: up to 18 months. If a witness asserts their Fifth Amendment right to remain silent, they may be forced to accept immunity or go to jail for contempt. Even a witness who attempts to cooperate can be jailed if minor inconsistencies are found in their testimony. Such a perjury charge may stand even when the grand jury fails to hand down any indictment for what it was ostensibly investigating.
The grand jury is a complicated and opaque process, by design. Our movements have decades of experience resisting grand juries, and there are resources available to learn more and support those who resist.
If you have been contacted by federal law enforcement, the National Lawyers Guild has a national federal defense hotline at 212-679-2811.
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Continue reading Cyprus Hartford Resists Federal Grand Jury + MACC Film Festival
On this episode, Ian spoke with Adam Shapiro, Co-editor of We Are Many, a comics anthology released as part of the Cypher Zine project (@cypher_comics on Instagram) and published by Radix Media. The book pairs artists and activists to create narratives around the defense of women and sex workers around the globe.
Among other topics, the conversation touches on the process of matching local artists with the activists on the ground, notions of human rights defense (as defined by UN guidelines) as it relates to autonomous, self-directed struggle. They also speak about the strengths and limitations of NGO-led initiatives, and the effects of emergent disasters on long-term organizing initiatives.
But first, a Sean Swain shares his book reviews of 2023.
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Continue reading Cypher Human Rights Comics with Adam Shapiro
This week, Ian talks to Sean Carleton of Graphic History Collective and Labor historian and activist Iain McIntyre about the recent release of Mr. Block: The Subversive Comics and Writings of Ernest Riebe by PM Press. After some background on their respective projects, they talk about the legacy of the IWW cartoonist, the origins and process of putting the book together, and what aspects of his work are still relevant today. Here’s a hint: just about all of them are.
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Continue reading Mr. Block’s Past and Legacy (with Sean Carleton and Iain McIntyre)
Ian speaks with journalist Shea Hennum about their article on #comicsbrokeme, in which workers in the comics industry shared their stories of tight deadlines, unreasonable workloads, and low pay following the death of cartoonist Ian McGinty. For the article, which appeared at solrad.co, they applied an analysis that synthesized communist and anarchist traditions in order to identify a multitude of sites of political struggle, challenge systems of domination and violence, and chart possible ways forward, similar to analysis applied in the movement to abolish the Prison Industrial Complex.
They discuss past efforts to organize within the comic book industry as well as current organization efforts, such as the formation of the United Workers of Seven Seas, a union of workers at Seven Seas Entertainment, Comic Book Workers United, a union of workers at Image Comics, and Cartoonist Cooperative, a cohort of cartoonists committed to mutual promotion, skill and info sharing, and efforts to make industry wages and practices more transparent. They also discuss possible ways for comic book readers to offer support.
Continue reading #ComicsBrokeMe and The Labor of Comics (with Shea Hennum)